“I think beat-making is really the study of every kind of music,” says Brian Lindgren, the artist known as Mux Mool who has just released a new album, Skulltaste.
Quoting Ghostly International (Mool’s record label)
Skulltaste is an old-fashioned epic, and its diversity—both track-to-track and within the songs themselves—is hard to measure. Lindgren’s taste roams all over the map, but it’s this attention-deficient approach that makes Skulltaste such a smorgasbord of an album, tempting the listener with one tidbit after another.
“The Ballad of Gloria Featherbottom” hits a quintessential balance between giddily spiraling samples cooled by monstrous slabs of ice-water synth
http://www.myspace.com/muxmool